Either due to the strong breeze of Châtelaillon-Plage, where I tasted this wine, or as a result of the fact that my son got a small sip before me and left some potato chips flavour on the glass, I had some problems distinguishing the aroma of this Chardonnay. I therefore cannot tell which ones of the typical scents of this well-known grape was predominant: if it was the tropical side of banana, melon, pineapple and guava, the stonefruits côté of peach, nectarine and apricot, or the omnipresent citrus and apple aroma. Continue reading “Château Nine Peaks Chardonnay Reserve 2015”
Château Nine Peaks Chardonnay Reserve 2015
Either due to the strong breeze of Châtelaillon-Plage, where I tasted this wine, or as a result of the fact that my son got a small sip before me and left some potato chips flavour on the glass, I had some problems distinguishing the aroma of this Chardonnay. I therefore cannot tell which ones of the typical scents of this well-known grape was predominant: if it was the tropical side of banana, melon, pineapple and guava, the stonefruits côté of peach, nectarine and apricot, or the omnipresent citrus and apple aroma. Continue reading “Château Nine Peaks Chardonnay Reserve 2015”
This wine is deeply pigmented. On the nose notes of violet, blackberries and some spices. On the palate it is velvety and pleasant, but the finish leaves you with a disturbing bitterness, which I guess is due to a suboptimal use of oak. Fortunately, after some exposition to air, this defect disappears. Nevertheless, I find this imperfection a real shame, given the otherwise pleasant profile of this wine made with a unique grape variety: Négrette. 
On the nose the typical aroma of apricot and citrus of the Manseng grapes comes forward, although in a faint version. In the mouth there is a prickly acidity at a level I personally find kind of disturbing. Beside some light apricot hint, no aftertaste worth mentioning.
From the first sight this Portuguese wine gives the impression of being opulent. The deep purple color certainly contributes to this impression. In reality, on the nose the aroma is elegant, with violet, bergamot, blueberry and some mint. In the mouth the wine is still very young, although already enjoyable thanks to the pleasantly integrated tannins, which influence mainly the drying aftertaste. 
The colour is greenish yellow. The nose is refreshing, with mild notes of menthol accompanying white peaches, lime and some nutty undertones. In the mouth crispy, well-balanced and tasty, with an aftertaste that linger for a long while and is characterised by a hint of fennel.
The color is medium gold. The nose is very inviting, with notes of ripe banana and elderberry. In the mouth smooth and pleasantly fresh. The aftertaste, which last for a while, is dominated by the sustained acidity.
The colour is deep ruby. On the nose light notes of cherry, but with a background that doesn’t feel right. In the mouth more present, although a bit rustic, with good acidity and a drying finish that last for a while. Usually, wines tend to be richer on the nose than in the mouth. Interestingly, in this case it is the opposite.
The colour is medium garnet. On the nose a bouquet of eucalyptus, tobacco, menthol and balsamic notes. In the mouth pleasantly lighter and fruitier than I was expecting, well balanced and with a savoury finish that let be enjoyed for quite a while.
Kerner della Valle Isarco 2018: This white wine displays a medium straw colour. On the nose the aroma is dominated by pear, although apple and citrus can also by detected. In the mouth the wine is well balanced, with a refreshing aromaticity that last for a satisfying while. The kind of white that even my wife, who usually drinks only red and sparkling wines, can enjoy. 
Granbussia 1974: This bottle, made one year after I was born, is among those that make it worth the multiple disappointments anybody brave enough to keep experimenting with very old wines necessarily goes through.